Thursday, October 30, 2025

Poetry Friday: Burning Haibun


Wow, this was a challenge. 

The Poetry Peeps are tackling burning haibuns, which I’ve never attempted. Tanita Davis explains

Poetry Peeps! You’re invited to our challenge for the month of October! Here’s the scoop: As invited by Poetry Magazine, we’re composing burning haibun. Not regular old haibun, folks. These highlight the internal landscape of memory, and within them, something somewhere must BURN. Perhaps it’s your candle at both ends. The stub of wax in your jack-o-lantern. Perhaps it’s just your heartburn, or your indignation. We cannot wait to find out. As always, these poems will continue our theme of writing in conversation. Are you still in? You’ll have a month to craft your creation(s), then share your offering on OCTOBER 31st in a post and/or on social media with the tag #PoetryPals. THIS is gonna be LIT (see what I did there?), so we hope you’ll join the fun!

The process is further explained/illustrated at this link, from Torrin A. Greathouse

My subject matter is on the darker side (I'm sorry, Tanita, mine is not fun!) But I couldn’t stop thinking about it: I’m focused here on the lives that were burned down by Covid. Specifically, in this poem, my parents’ lives. Two people who were mentally sharp and doing as well as folks in their late eighties can do — until Covid hit them. New and horrible health problems, dementia. Steady, heartbreaking declines. Yes, living as long as they did is still considered “a good, long life,” as they say, but the last few years of their lives became hell for them in ways they’d never experienced and couldn’t have anticipated before the pandemic, a wildfire that is still smoldering. 

Here's my attempt at a burning haibun: 


Fragments 

My father, this proud man, is no longer at the top of the mountain he was climbing. He once thought he’d hold everything in his hands but now he is reluctantly, painstakingly readying himself for the continuing fall, for the end of life as he knew it. He is still doing his best, still taking care of my mother, his beloved, who has already handed her life over to the horrific fire, to the aftermath of the burning corona (just another virus, some said, a fragment of a moment in time, soon to pass.) But the fire required all her strength and his resolve as they battled the constant lick of the flames, sought to douse the blaze and find, in the ashes, their former selves, the self, after all, being all we really have left in the end. Unless we don’t. Unless everything has been touched by flame, unless everything else has burned. 


This man, no longer at the top of the mountain, readying himself for the continuing fall, for the end of life as he knew it. Still taking care of my mother, his beloved, who has already handed her life over to the aftermath of the burning corona (just another virus, some said, a fragment of a moment in time, soon to pass.) But the fire required all her strength and his resolve as they battled the constant lick of the flames, sought to douse the blaze and find, in the ashes, their former selves, the self, after all, being all we really have left in the end. Everything else has burned. 


This man at the end
of life. A fragment. Ashes. 
Everything has burned. 

~ Karen Edmisten 

~~~~~


Here's what my process looked like: 

My father, this proud man, is no longer at the top of the mountain he was climbing. He once thought he’d hold everything in his hands but now he is reluctantly, slowly, painstakingly readying himself for his continuing fall, for the end of life as he knew it. He is still doing his best, still taking care of my mother, his beloved, who has already handed her life over to the horrific fire, to the aftermath of the burning corona (just another virus, some said, a fragment of a moment in time, soon to pass.) But the fire required all her strength and his resolve as they battled the constant lick of the flames, sought to douse the blaze and find, in the ashes, their former selves, the self, after all, being all we really have left in the end. Unless we don’t. Unless everything has been touched by flame, everything else has burned. 


~~~~~


My father, this man, is no longer at the top of the mountain he was climbing. He once thought he’d hold everything in his hands but now he is reluctantly, slowly, painstakingly readying himself for his continuing fall, for the end of life as he knew it. He is still doing his best, still taking care of my mother, his beloved, who has already handed her life over to the horrific fire, to the aftermath of the burning corona (just another virus, some said, a fragment of a moment in time, soon to pass.) But the fire required all her strength and his resolve as they battled the constant lick of the flames, sought to douse the blaze and find, in the ashes, their former selves, the self, after all, being all we really have left in the end. Unless we don’t. Unless everything has been touched by flame, everything else has burned. 

~~~~~


My father This man, is no longer at the top of the mountain he was climbing. He once thought he’d hold everything in his hands but now he is reluctantly, slowly, painstakingly readying himself for his continuing fall, for the end of life as he knew it. He is still doing his best, still taking care of my mother, his beloved, who has already handed her life over to the horrific fire, to the aftermath of the burning coronavirus (just another virus, some said, a fragment of a moment in time, soon to pass.) But the fire required all her strength and his resolve as they battled the constant lick of the flames, sought to douse the blaze and find, in the ashes, their former selves, the self, after all, being all we really have left in the end. Unless we don’t. Unless everything has been touched by flame, everything else has burned


~~~~~


This man, at the end

of life. A fragment. Ashes. 

Everything has burned. 

 


I worked my way backward, from thoughts for the haiku to building, in reverse, the first paragraph (although the haiku ended up changing.) I don't know that I hit the marks for a burning haibun. The second paragraph doesn't offer enough in the way of reorientation. (In further drafts of this, that's what I'll aim for.) And I'm not sure this hits the "Conversation" theme either, but this is what came out over the course of a couple of sessions. It was, at least, a challenging and cathartic bit of writing. 


~~~~~~~~~~~~


25 comments:

Linda Mitchell said...

I'm absolutely intrigued by this form. And, I appreciate a peek at your process because it is not something that can be dashed off. This is a form that required thought and time. Your burning haibun is deeply touching. I think of my Dad a lot these days. I worry over him even though he wouldn't want that. There's no deneying that a fall is coming. Thank you for putting such beauty to it.

Liz Garton Scanlon said...

Oh, my heart. I really feel this, Karen. It wasn't quite this dramatic for my parents but it did diminish them (and their lives) in myriad ways that are hard to reckon with and accept. What a fire...
Thanks for playing along with this tricky form -- you really used it well.

Karen Edmisten said...

Linda, thank you so much. I would say, "Don't worry about your dad," but I know we all worry anyway about the people we love. ❤️ There's just no predicting how the later years in any of our lives will go, is there? (My sister has a friend whose mom spent the day with the whole family, had a wonderful time, went home, went to sleep, and passed away gently that night. You just never know. But that's how I hope it goes for me when my time comes. No medical trauma for my kids, I hope!)

This was a really challenging form for me, but I'm glad I tried it and as I mentioned in the post, I'd like to try honing the second part to work on a changing orientation/perspective. Torrin's process on "Dancing in the Dark" really helped me see how the form plays out.

Karen Edmisten said...

Thank you so much, Liz. Definitely a tricky form!

I'm so sorry to hear about your parents, too. Hugs to you. ❤️ I always knew that unexpected illnesses/viruses could ravage an older person's body but it was still a shock. Covid has been particularly insidious. As you said, hard to reckon with.

Susan T. said...

The burning haibun form looks so difficult, and yet here you are, Karen, with this rich piece of work. I am both blown away by the poem and so sorry for your loss.

Karen Edmisten said...

Oh, Susan, thank you so much, on all counts. ❤️

tanita✿davis said...

My dear friend - love doesn't look away, even in the midst of destruction. I grieve the loss of those of us who won't get to meet that man at the peak of his towering. This fire has cost us so much, and culturally and nationally we have never learned to grieve. But, you're showing us a way with these words. Thank you for sharing, and I enfold you from afar. ♥

elli said...

Sigh. This is beautiful, Karen. I have been on the orphan walk these past seven months, since one of my parents died, and … the complexity and grace and gut-punch of it all … Well. Your poem spoke to me, deeply. 🙏🏽💙thank you.

Karen Edmisten said...

Tanita, thanks, dear friend. ❤️ You know, my father was a difficult man in many ways, and the years of caregiving brought new difficulties but also new layers in my relationship with my parents. Part of me wants to forget it all and part of me wants to never forget what those final years gave me (and in some ways, perhaps gave them too.) Receiving your enfolding and hugging you back. xo

Doida said...

I want to echo Linda Mitchell's comment above: "I'm absolutely intrigued by this form. And, I appreciate a peek at your process because it is not something that can be dashed off. This is a form that required thought and time." This exercise deserved a soul topic like the one you chose, but I must say, I like your next to last rendition the best as a poem that carries the most wood. :-)

Karen Edmisten said...

elli, my deepest condolences again to you, friend. You've had more than anyone's share of gut punches in life. I hope you know that your strength amazes me and inspires me. Sending love. ❤️

Karen Edmisten said...

Doida, thanks so much for weighing in and sharing that. It is a really intriguing form. One thing I found interesting about it is that we do end up with three different versions, so to speak, of a poem. And, the form can be used to distill a long train of thought into a haiku, or it can be backed out of — because one can also start with a haiku and build a fuller story. So many possibilities.

Linda B said...

You wrote that, while so difficult, this writing was cathartic, Karen, so no matter the challenges you remember, now you've given your heart again to your father and your mother with these words. It takes love to share hard things, and it feels like a lot of love carried you through. Thank you!

Karen Edmisten said...

Linda, that is such a beautiful thing to say. Thank you for saying that. Y'all are making me cry today. :) ❤️

Carol J. Labuzzetta said...

Karen, I think you did such a great job with this very difficult task. I'm not sure I could do it. The memories and emotions on top of meeting the task requirements seem daunting to me. I also think working backward is a great approach. Thanks for sharing.

Alan j Wright said...

Karen, your poem possesses a searing honesty with the burning metaphor so aptly applied throughout. It takes courage to write in this manner and your lived experience has enabled you to share insights only you can adequately convey. Your sharing of your writing process adds extra detail for readers to mull. I applauds your heartfelt writing, your brave and undiluted words.

Carol Varsalona said...

Karen, your memories of your parents are strong indicators of how you felt during the "wildfire that was still smoldering". Working backward is a feat in itself. These thoughts in prose and poetry provided you the tools you needed to convince me that you brought the burning haibun to life.

Karen Edmisten said...

Carol, thank you. I do think that a burning haibun could be tackled with a much less triggering subject matter if you ever wanted to try one. I haven't made the Poetry Friday rounds yet (today, yay!) but I'm looking forward to seeing what others did and what kinds of subjects they tackled.

Karen Edmisten said...

Thank you so much, Alan. I appreciate everything you said, especially since it was a deeply personal poem. Thanks for reading.

Karen Edmisten said...

Carol, thank you so very much! It was rough few years for everyone, and I know I have that in common with everyone who suffered through the pandemic. Thanks for stopping by to read and for your encouraging words!

Patricia Franz said...

Love this process and how it distills down the emotional core of the prose. Yours feels especially wistful, focusing as it does on your parents --and touches a deeply sensitive spot for me. Beautiful, Karen.

jama said...

Wow, blown away by the candor and heartbreaking emotions you expressed in your poems. As the final distillation of your haiku shows, the trappings of circumstance and frustration have been burned away, leaving behind what truly matters: pure love.

Karen Edmisten said...

Patricia, thank you so much for that. As I'm reading others' burning haibun posts, I'm struck by how much the form wants to pull so much out of us and bring it to light.

Karen Edmisten said...

Oh, Jama, thank you for saying that. It was a hellish few years for my parents, and so hard for the whole family, but you're right — facing down what was hard is also healing and comes from a place of love. ❤️

Jone said...

Thank you for sharing your process. It's an emaotional ride that you captured beautifully in the haiku,